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RSO Musician Auditions

AUDITIONS FOR THE RICHARDSON SYMPHONY ORCHESTRA 2017/2018 SEASON WILL TAKE PLACE FRIDAY,   SEPTEMBER 1ST FOR WOODWINDS. SATURDAY, SEPTEMBER 2ND FOR STRINGS.

 

If you are interested in scheduling an audition, please mail a 1-page resume and a $50 check* to the RSO Offices. Both must be received prior to August 18th. Once your resume and check are received and reviewed, you will be contacted by the Executive Director to schedule an audition time. The $50 check will be returned after the audition. No refunds available for auditions cancelled after August 24th.

*Check should be payable to “Richardson Symphony Orchestra.” Mail your resume and check to: RSO Offices;   399 West Campbell Road, Suite 200A; Richardson, Texas 75080

 

The RSO auditions will take place at First United Methodist Church in Richardson, located at 503 North Central Expressway. Park on the south side of the church. Check in at the registration table in front of the Middlebrooks Fellowship Hall. (See the attached map, below). The auditions will take place in the choir rehearsal room.

 

 

http://www.fumcr.com/Campus_Map.pdf

 

Be sure to arrive at least 30 minutes ahead of your audition time so that there’s plenty of time to check in and warm up.

 

 

Repertoire for each instrument is listed below.

 

AUDITION REPERTOIRE

 

SECTION VIOLIN (all 1st violin parts)

● Solo work of your choice

● Beethoven: Symphony No. 9; 2nd mvt: m. 21-  H ; 3rd mvt: m. 99-114

● Brahms: Symphony No. 1; 1st mvt: m. 1-9

● Mendelssohn: A Midsummer Night’s Dream; Scherzo: 1st page

● Mozart: Symphony No. 35; 1st mvt: m. 1-96; 4th mvt: m. 125-181

● Strauss: Don Juan; beginning to  D , 4 before  H  to 8 after K ,  Q  to 4 after U

 

SECTION VIOLA

● Solo work of your choice

● Beethoven: Symphony No. 5; 2nd mvt: m. 1-10, m. 49-59, m. 72-86, m. 98-106

● Berlioz: Roman Carnival Overture; upbeat to 3 after  1  to 1 after  4

● Mendelssohn: A Midsummer Night’s Dream; Scherzo:  B  to  D  & upbeat to  K  through 3 before  L

● Mozart: Symphony No. 35; 4th mvt: m. 134-181

● Shostakovich: Symphony No. 5; 1st mvt:  15  to  17

● Strauss: Don Juan; beginning to  D ,  G  to  K , 7 after   O  to 4 after  U

Principal Excerpt:

● Prokofiev: Romeo & Juliet Suite No. 2; 5th mvt: upbeat to  44  to  45

 

SECTION CELLO

● Solo work of your choice

● Beethoven: Symphony No. 5; 2nd mvt: m. 1-10, m. 49-59, m. 98-106, m. 114-124

● Beethoven: Symphony No. 9; 4th mvt: beginning through end of basso recitativo

● Brahms: Symphony No. 2; 1st mvt:  C  to  D ; 2nd mvt: m. 1-17, m. 49-55; 4th mvt: m. 1-32

● Mendelssohn: A Midsummer Night’s Dream; Scherzo:  N  to  O

● Mozart: Symphony No. 35; 4th mvt: m. 134-181

● Strauss: Don Juan; beginning to  D ,  G  to  K , 7 after   O  to 4 after  U

 

SECTION BASS

● Solo work of your choice

● Beethoven: Symphony No. 9; 4th mvt: beginning through end of basso recitativo

● Mozart: Symphony No. 35; 4th mvt: m. 134-181

● Strauss: Don Juan;  A  to  C , 5 after  I  to  K , 7 after   O  to  U

● Tchaikovsky: Symphony No. 4; 1st mvt: m. 51-94; 4th mvt.  A  to  B

 

FLUTE – 2ND FLUTE AND SUB POSITION

● Solo work of your choice 

● Beethoven: Leonore Overture No. 3; m. 328-360 (29 after  E  to 18 before  F)

● Mendelssohn: A Midsummer Night’s Dream; Scherzo: upbeat to one before  P  to end● Debussy: Prelude to the Afternoon of a Faun; beginning to m. 5,  2  to  3

● Prokofiev: Peter and the Wolf;   2  to  4

● Ravel: Daphnis et Chloé, Suite No. 2; 176 to 179

● Strauss: Don Juan; beginning to  B

Piccolo – Beethoven: Symphony No. 9; 4th mvt. 16 before H to K

Ravel: Concerto for Piano and Orchestra; 1st mvt. beginning to 2

Tchaikovsky: Symphony No. 4; 3rd mvt: m. 162-170, m. 194-197, 365-398; 4th mvt:  A  to  B

 

OBOE – 2ND OBOE & SUB POSITION

● Solo work of your choice

● Beethoven: Symphony No. 3; 3rd mvt: m. 7 to m. 28; 13 before  A  to 23 after  A

● Ravel: Le Tombeau de Couperin; 1st mvt: beginning to  2

● Rossini: Overture to La Scala di Seta;  2  to 2 after  3

● Strauss: Don Juan; beginning to  B , 4 after  L  to  O

● Tchaikovsky: Symphony No. 4; 2nd mvt: beginning to  A

English horn – Berlioz: Roman Carnival Overture; Solo at Andante sostenuto before  1


CLARINET – NO OPENINGS AT THIS TIME

 

BASSOON – SUB POSITION

● Solo work of your choice

● Mozart: Overture to Le nozze di Figaro; m. 1-24, m. 156-171

● Ravel: Bolero; 2 after  2  to  3

● Rimsky-Korsakov: Scheherazade; 2nd mvt: m. 5 to  A ;  L  to  M

● Strauss: Don Juan; beginning to 5 after  B ,  R  to  U

● Tchaikovsky: Symphony No. 4; 1st mvt: m. 35-46; 2nd mvt: m. 274-end of mvt.

Contrabassoon – Beethoven: Symphony No. 5; 4th mvt: beginning to  B

Strauss: Don Juan; beginning to  C

 

HORN – SUB POSITION

● Solo work of your choice

● Beethoven: Symphony No. 9; 3rd mvt: m. 82-98 [4th horn]

● Brahms: Symphony No. 2; 1st mvt: m. 454-477; 2nd mvt:  A  to  B  (m.17-32)

● Shostakovich: Symphony No. 5; 1st mvt:  17  to  21 ,  35  to  41 ; 2nd mvt:  54  to  57

● Strauss: Don Juan; 20 after  D  to 1 after  F , 18 after   N  to  P ; 10 before   W  to  AA

● Tchaikovsky: Symphony No. 4; 1st mvt: beginning to 6 after  A ,  I  to  L

● Tchaikovsky: Symphony 5; 2nd mvt: m. 8-28  (for those auditioning for Principal Horn)

 

TRUMPET – SUB POSITION

● Solo work of your choice

● Brahms: Symphony No. 2; 1st mvt: m.282-298, m.513-end; 4th mvt: m. 405-end

● Mussorgsky/Ravel: Pictures at an Exhibition; Opening Promenade, Goldenberg and Schmuyle

● Respighi: Pines of Rome; 1st mvt: beg. to  8 ; 2nd mvt: Offstage Solo

● Strauss: Don Juan; 5 after  F  to 3 before  G

● Shostakovich: Symphony No. 9; 3rd mvt:  D  to  E

● Stravinsky: Petrushka (1947); 135 to 139, 149 to 151

 

TROMBONE – SUB POSITION

● Solo work of your choice

● Berlioz: Hungarian March from The Damnation of Faust; 1 before  4  – 2 after  5

● Mozart: Tuba mirum from Requiem; entire movement

● Ravel: Bolero; 10  to  11

● Rossini: Overture to La Gazza Ladra;  C  – m. 131;  F  – m. 291;  I  – m. 442

● Wagner: Ride of the  Valkyries from Die Walküre;  6  –  7  ; 4 before 10 – 5 after 12

 

BASS TROMBONE – SUB POSITION

● Solo work of your choice

● Haydn: The Creation; No. 26: beginning to  C

● Rossini: Overture to La Gazza Ladra;  C  – m. 131;  F  – m. 291;  I  – m. 442

● Strauss: Ein Heldenleben;   61  to  65

● Wagner: Overture to Tannhäuser;  A  to  B

 

TUBA – SUB POSITION

● Solo work of your choice

● Berlioz: “Hungarian March” from The Damnation of Faust; 4 – 2 after 5; 6 to end

● Stravinsky: Petrushka; 189 to 191

● Wagner: Prelude to Die Meistersinger; beginning to A;  J  to L

● Wagner: “Ride of the  Valkyries” from Die Walküre; 11 to 5 after 12

  

HARP: Please note that if nothing specific is listed for a particular work, candidates are expected to prepare all significant excerpts from that work.

 

HARP – SUB POSITION

● Solo work of your choice

● Debussy: Prelude to the Afternoon of a Faun

● Franck: Symphony in D minor

● Rimsky-Korsakov: Scheherazade

● Wagner: Prelude and Liebestod from Tristan und Isolde

 

PERCUSSION – NO OPENINGS AT THIS TIME